I
Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.
In the flat country near by
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,
Naked except for
The cap, noose and girdle,
I will stand a long time.
Bridegroom to the goddess,
She tightened her torc on him
And opened her fen,
Those dark juices working
Him to a saint's kept body,
Trove of the turfcutters'
Honeycombed workings.
Now his stained face
Reposes at Aarhus.
II
I could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate
The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,
Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.
III
Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
The poem revolves around a ritual sacrifice to those who died due to Sectarian violence.
It is possible that Heaney is essentially atoning for his sins through this pilgrimage.
Heaney believes that we have a lot to learn from the dead and that the living can be rather dangerous.
He also believes that the dead are often violated by modern society. This feeling is also expressed in "Strange Fruit."
The poem implies that the body was placed gently into the ground, suggesting he was sacrificed.
Heaney compares violence in the past with the present day, suggesting that humankind doesn't change.
Hopeful about going on a sort of pilgrimage to Aarhus.
Graphic imagery to incite sympathy.
Disrespectful towards the dead.
Exposed, vulnerable.
Referring to Mother Nature.
The Tollund Man and Mother Nature have been united.
Sexual imagery.
Preserved.
The man is a treasure.
Lexical field of agriculture.
Anti-religion.
Ambush of young men who were killed in the Troubles in Ireland. Comparison to incite empathy.
Graphic imagery to shock readers.
Wagon for transporting prisoners.
A chant.
Perhaps asking for directions.
He is used to feeling lost and unhappy.